Clara Schumann was my pianist heroine for many years. Now I have another: Alice Herz-Sommer. At the time of writing this she is aged 107. I read the biography because I came across a video Holocaust survivor Alice Herz Sommer playing piano and then searched for more information.
There are several valuable things to learn from Alice. The most immediate for me was the dedication to keyboard practise. I have always fancied being able to give a good rendering of the Chopin Studies but have always muddled along because I did not put in the time; for now I have faith that if I do the work I will get to something competent and my target is one year – at which point I will try to avoid feeling I have wasted a lot of my lifetime in doing things half-way.
The next crucial lesson is to shun bitterness and bad feeling about people and the past; this must include oneself as many self-help books say.
My criticism of the biography is that I assume it was written from her reminiscences but tends to read like a docu-drama where many conversations are made up to set a tone. I would have preferred Alice’s own notes. Although not without some interest because I hope that they reflect Alice’s emotional view of the Chopin Studies the digressions on each of the studies should really have been an appendix. Finally, the latter part of Alice’s life was rushed through with most focus on the bad years during and immediately after the German occupation of Prague.
Whetever, it must be a great privilege to know Alice Herz-Sommer.